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Curious, Healing

Curious, Healing

Books about healing, business, and fun

  • About Sonia Connolly

bodywork

“What Every Pianist Needs to Know about the Body” by Thomas Mark

November 16, 2024 by Sonia Connolly Leave a Comment

book cover
Recommended to me by: Reading What Every Singer Needs to Know about the Body

I bought this book around the time I studied piano for a year in 2015, but never got around to reading it. I got rid of it along with two bike trailer loads of books at Powells before leaving Portland. Now in 2024 I’m learning piano again with renewed interest, so I got the book from inter-library loan and gave it a try.

What Every Singer Needs to Know about the Body is very dense and technical. I read it a few pages at a time. I expected the piano book to be similarly dense. Instead, it is more accessibly written and covers some of the same material as What Every Musician Needs to Know about the Body, so I could read it a chapter or two at time.

It was useful to see the general material about balance and alignment in the body again. I’m starting to sense my AO joint that supports the base of my skull, and understand what it might mean to free my neck instead of pulling my head down. I’m still trying to sense the weight-supporting part of my lumbar spine curving up through the center of my body.

This book talks a lot about freeing the arms and integrating their movement with the whole body, since the arms (not just the fingers) play the piano. Most of what we think of as back and chest muscles are really arm muscles, originating on the torso and attaching to the shoulder blade and humerus.

I appreciated the exercise to find balance for the collarbone and shoulder blade position. Pull them up, then slowly allow them to release down until there’s no muscular effort. Pull them down and then slowly release up. Pull them forward and slowly release back. Pull them back and slowly release forward. I want to do that at the beginning of practice sessions. (Described at about 1:15:00 in the video linked below.)

You can think of the forearm and hand having a shallow arch, with the keystone at the wrist. Lead with the head and reach with your whole spine when leaning toward the top or bottom notes of the keyboard.

It also had revelatory material about the piano itself. To play louder, press the keys faster to “throw” the little hammer at the string more strongly. To play softer, press the keys more slowly. I was having trouble figuring out loud and soft, and this explains it. Also, once a key’s descent triggers that hammer throw, continuing to push hard on it will have no effect on the sound. Releasing the key does release the damper to end the sound.

Of all the books I got rid of, this is one I will buy again, because it’s useful to me now, and I’m going to want to come back to the material.

It has material for organists too, which was interesting even though less directly useful to me. I had no idea playing the organ was such an athletic whole-body activity.

Highly recommended for pianists and organists!

I also got rid of the companion video, and I found it again on the Internet Archive! What Every Pianist Needs to Know about the Body (2 hour video) by Thomas Mark. Also highly recommended. It’s illuminating to see his demonstrations of moving in balance, and some of the ways to be out of balance.

Available at bookshop.org.

Filed Under: nonfiction Tagged With: bodywork, illustrated, music

“Too Flexible to Feel Good” by Celest Pereira and Adell Bridges

February 5, 2023 by Sonia Connolly Leave a Comment

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Subtitle: A Practical Roadmap to Managing Hypermobility

Recommended to me by: Andy

Celest Pereira and Adell Bridges explain hypermobility and how to address it with a mix of the latest neuroscience, cartoon characters, and photographs of themselves doing yoga poses and exercises.

They say that hypermobility spectrum disorder occurs in up to 25% of the population. They are addressing the mild-to-medium forms of the issue, not the extreme form which is Ehlers Danlos Syndrome. Hypermobile people have overly stretchy connective tissue, which causes issues not just with their joints, but also with proprioception (sensing one’s own body), digestion, and anxiety.

It makes sense that hypermobile people are drawn to yoga where they can be immediately successful, but it is also easy to practice yoga in a way that causes injuries. This book has a series of explanations and exercises on how to add strength and core support to protect joints prone to overstretching.

They call for mindfulness and careful experimentation to find what works best for each body. They advocate for using active range of motion, going as far as muscles can take you on their own, rather than passive range of motion, pulling yourself deeper into stretches by force. For example, seated forward bend with hands reaching forward, rather than with hands around feet pulling you further into the stretch.

I appreciated concrete permission not to hold still in a pose if my body is done with it, not to pull my shoulder blades down when I’m reaching my arms up, and not to pull myself deeper into stretches. I didn’t feel like I was quite the target market for this book, because I don’t need cartoon characters to lighten up neuroscience, and I do a little yoga and a lot of other kinds of exercise. I might be mildly hypermobile, but I’m not a yoga superstar.

Recommended if you’re hypermobile (they have a few easy movements to check), do a lot of yoga, and want to get stronger and more aligned to protect your joints. Mindfulness and body awareness can help us all.

Available at bookshop.org.

Filed Under: nonfiction Tagged With: bodywork, healing, illustrated

“freeing the natural voice” by Kristin Linklater

September 12, 2021 by Sonia Connolly Leave a Comment

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Subtitle: Imagery and art in the practice of voice and language

Recommended to me by: Nadia Tarnawsky

This book is aimed at actors, but also has useful information for singers, although the one aside about Bulgarian singing does not match what I have learned about that art. And that leads to my summary of the whole book, which is that it is very detailed and knowledgeable within its scope, but does not acknowledge lack of expertise in neighboring realms.

There are many exercises to get in touch with the anatomy of the breath and voice in the whole body, and to release inhibitions that get in the way of free breath and voice.

The only explanation offered for inhibitions is “The young child desperately wanted a cookie and was required to ask in a nice voice, so had to separate voice from emotion.” There is no mention of physical violence, sexual abuse, or neglect that would cause a person to separate voice and emotion.

There is no awareness that reconnection needs to go slowly, with support, and that “resistance” is a clear message to slow down even more. There is one brief mention half-way through the book about working with “light” emotions in the exercises because “dark” emotions might require more support. I wonder how many of the author’s students had overwhelming reactions to these exercises.

Similarly, there is no mention of physical injuries or disabilities that might get in the way of doing these exercises, and no offered accommodations or workarounds.

I appreciate the idea of inviting a sigh of relief, and then observing with the breath and voice do with that. Rather than trying to control the breath and voice, we can allow the body to respond to what we experience and want to express.

The book could benefit from anatomical drawings, since it is based in very specific and detailed anatomy that is only described in text. There are cartoon-like line drawings showing people doing some of the exercises.

Recommended for people interested in the details of embodied voice, with the above caveats.

Available at bookshop.org.

Filed Under: nonfiction Tagged With: bodywork, communication, healing, illustrated, music

“The Politics of Trauma” by Staci K. Haines

December 26, 2020 by Sonia Connolly Leave a Comment

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Subtitle: Somatics, Healing, and Social Justice

Recommended to me by: Darryl C.

This book rang true to me from beginning to end. Staci Haines combines embodied trauma work with social justice, and everything she says fits with what I already know and takes it further.

Many healing modalities view trauma and abuse as individual problems. Instead, Haines puts trauma and abuse in the context of our abusive social structures that put individuals in harm’s way. White supremacy, patriarchy, capitalism, and environmental destruction divide us from one another and keep us from learning the skills we need to treat each other with care. They keep us divided from ourselves as we try to heal.

Safety, belonging, and dignity are core needs that should be met together for everyone. Traumatic and abusive situations put one in conflict with another – we can choose either safety or dignity, either dignity or belonging. Our bodies deeply learn traumatized ways of responding to the world.

We can form declarations and commitments: statements about our core beliefs and goals that guide our healing. For example, “I am a commitment to be in my skin without apology.” (Lisa Thomas-Adeyemo) We can discover what commitments and declarations we have unconsciously adopted or had imposed upon us. Declarations can be personal or community-oriented or both.

We can find what supports us and practice resilience, reminding ourselves to come out of trauma mode. Social justice organizations can also collectively practice resilience. We can rebuild safety and trust at the embodied, physical level. We can relearn boundaries and requests.

To help someone heal, we blend with the patterns that are already true for them, and help them notice what the pattern has been taking care of for them. As the body is supported and honored, the underlying physical and emotional memories and holding patterns can be released. We can help someone feel allied with, exactly as their body needs to feel it.

For example, make a fist with one hand. With the other hand, try to pry it open. How does that feel? Instead, let your other hand support the fist with curiosity and kindness. How does that feel? What happens with your fist? With the rest of your body?

Trauma is held in the body through bands of tension, or absent slackness. A healthy body has relaxed presence. Somatic opening is encouraged by blending with what is there and allowing it to release and transform. While emotions often arise during a release, cathartic emotion is not the goal.

We can discern what shame is ours and what belongs to others. We can blend with shame, hearing its messages, and look underneath to what it is hiding or protecting. Often shame is preferable to feeling powerless, helpless, or abandoned. We can learn to take centered accountability rather than being over- or under-accountable for our actions. We can sit with the complex questions around our responsibilities. We can learn about forgiveness of others and self-forgiveness. “Even if … [shameful act or belief], I am forgivable.”

We can learn to be present with ourselves and with others at the same time. We can learn to hold contradictions and conflict. We can learn how to have generative rather than destructive conflicts.

Personal healing and social justice organizing can support and serve each other.

I loved this quote at the beginning.

The Church says: The body is a sin.
Science says: The body is a machine.
Advertising says: The body is a business.
The body says: I am a fiesta.
—Eduardo Galeano, from “Window on the Body”

In the original Spanish:

La Iglesia dice: El cuerpo es una culpa.
La ciencia dice: El cuerpo es una máquina.
La publicidad dice: El cuerpo es un negocio.
El cuerpo dice: Yo soy una fiesta.

Highly recommended for activists and healers!

Available at bookshop.org.

Filed Under: nonfiction Tagged With: activism, anti-racism, bodywork, domestic violence, feminism, healing, politics, psychology, trauma

“Bodyfulness” by Christine Caldwell, PhD

November 17, 2020 by Sonia Connolly Leave a Comment

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Subtitle: Somatic Practices for Presence, Empowerment, and Waking Up in This Life

Recommended to me by: Darryl C

“Bodyfulness” is the embodied version of mindfulness, presence without leaving the body behind. Caldwell brings in Tibetan Buddhism, Sensorimotor Psychotherapy, and her own experiences with movement and presence. The different modalities felt awkwardly pushed together in places, with superficial coverage of anatomy and neurology. Perhaps she came to the topic from an academic perspective and forgot to talk with bodyworkers and others who make a lifelong practice of body awareness.

There are practices to try out in each section to explore body awareness.

8 principles of bodyfulness:

  1. oscillation – movement through a range, with a preference to stay mostly in the middle of the range. Our cells, our organs, our whole body, all have oscillations.
  2. balance – pausing, like balancing on one leg, and also being centered, not getting stuck at the far end of an oscillation
  3. feedback loops – sensing and moving, trading information back and forth. Also cross-connections between different systems.
  4. energy conservation – habits conserve energy by not having to figure them out every time. Movement plans (such as reaching, or standing) do the same thing at a body level.
  5. discipline – practice leads to grace. “Use it or lose it.” This was a brief section and felt grafted on.
  6. change and challenge – our bodies change under the challenge of new needs or a new environment
  7. contrast through novelty – when something is new, it gets our attention and perhaps elicits change.
  8. associations and emotions – guide our actions, memories, experiences.

4 themes

  1. breathing – this book, about awareness of the body, says that gravity does the work of the outbreath. Which moves up. No. The diaphragm relaxing up into a dome shape lets the outbreath move without additional effort. This error alone made me lose all confidence in this book.
  2. sensing – add kinesthesia to the usual 5 senses. Balance the amount of sensory awareness, and the amount of attention inwardly or outwardly.
  3. moving – motor plans and motor development, probably from Sensorimotor Psychotherapy. Some basic exercises to address trauma held in the body.
  4. relating – borders, boundaries, and coregulation.

Bodyful Applications included material on oppression, activism, and bodily authority. It also explores the contrast of bodylessness: ignoring the body, seeing the body as a problem or project, hating the body, and making one’s own or other people’s bodies wrong.

Unfortunately there is an ongoing theme of “curb your addictions” and “fix your eating habits” in the examples. It seems strange to have judgmental examples in a book about body awareness and acceptance. Also there is a non-ironic positive use of “trickle-down economics.”

This is such a great topic, addressed in an oddly skewed way, as if it’s trying to match up modalities that don’t quite fit. It has interesting information, but I can’t trust any of it when basic facts about breathing are simply wrong. It would be a good start for someone who hasn’t thought about body awareness at all and needs a step by step introduction to the idea.

Available at bookshop.org.

Filed Under: nonfiction Tagged With: bodywork, psychology, spirituality, trauma

“A Pathway to Health” by Alison Harvey

July 21, 2019 by Sonia Connolly 1 Comment

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Subtitle: How Visceral Manipulation Can Help You

Recommended to me by: Bundled with the Visceral Manipulation textbook

An engagingly written introduction to Visceral Manipulation bodywork. Alison Harvey describes the techniques and shares vignettes from her practice. There are drawings and descriptions of the anatomy of each organ.

Recommended for bodyworkers who are interested in learning more about the body and about Visceral Manipulation.

Available at IAHE.

Filed Under: nonfiction Tagged With: bodywork

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